A SHORT FILM BY IRIS OCONNOR

WIND HEADING WEST

WHY CONTRIBUTE?


    This is a story dedicated to the power of unity, reshaping the passage of generational trauma, and the impact of forgiveness. As the writer, I’ve drawn on both my family' s history and my own experience, having sisters who inspire me to be a better version of myself, and how having regrets and asking for forgiveness is necessary for these relationships to flourish. 
  
    I am eager to collaborate with both New York and Ireland-based artists and filmmakers to bring this vision to life, establishing a working relationship with a new generation of irish & irish-american creatives who share the common denominator of a passion for storytelling. This international production will be a community effort.

   As a student filmmaker, people always ask what I think of AI… well, I believe that as long as we, members of the community called humanity, empower, motivate, and support each other in our efforts to create honest art centered around personal memories, stories, and feelings, this art will only be more inspiring amidst an ocean of AI slop. We have the chance to create stuff that can make a difference in the way we treat each other and the way we treat the world--as long as we focus on what we spend our time, attention, and energy on. 

    Personally, the influx of AI art has made me pay more attention to what I spend time on, influencing my desire to want to support creations infused with human experience. Whether your contribution is monetary, circulatory, or simply supportive, your investment will go towards supporting human-centered art for not only me -- but for all the amazing and talented collaborators apart of this journey. 

   I hope this story will touch your hearts as much as my learning of my history has touched mine. If you are still reading this – thank you for your time and attention! I want to reiterate that while we are crowdfunding for this production, I am reaching out to ask YOU for input, advice, ideas, anything! I am a student of this world and this story is as personal as it is universal -- if you’d like to hear more information, please, reach out! 



WHERE IS THE MONEY GOING?

EQUIPMENT: Renting equipment is not cheap - especially overseas. Our equipment will be top-grade in order to capture our amazing cast and the beautiful Irish landscape as best we possibly can. This includes all camera gear, lighting gear, and audio equipment.

TRAVEL:
In order to bring this amazing collection of diverse creatives together, international travel is necessary and a major cost. Many of the New York contributors have never experienced the magic and beauty Ireland has to offer. Their contributions to this film are necessary, but the appreciation for this beautiful Ireland will touch their hearts – and through the screen, yours too!

MEALS:
Our team is working unpaid out of pure love for this project, so the least I can do is keep everyone fed, happy, and energized on set!

HOUSING:
While the crew will be hosted in this home (my grandfathers’ renovated schoolhouse), we will need to ensure that the cast is as comfortable as possible during the multi-day shoot. This means we will be accommodating housing for these magnificent actors!

GRANT APPLICATIONS / FESTIVAL  SUBMISSION FEES:  Both grants and festival submission applications are a cost for the production and must be incorporated into the budget. Grants will help this production get the best  care and attention it deserves, while festivals could hopefully allow this film to be seen by cinema lovers everywhere.




SHOOTING JANUARY 13-18

GALWAY, IRELAND